There have been a number of excellent blog posts this year about running and photography. I think my favourite was the ‘Mind Over Matter’ blog (read the original post here) about the subject and it got me thinking about the way I photograph and are there any tips I can impart that may help you to tell more compelling visual stories?
The Mind Over Matter piece suggests that blogging is big business and that photography has (in some cases) gone ‘business’ too with professional photography being bought in to create that more refined look. However, the post continues by arguing that this all looks very ‘samey’ and I couldn’t agree more.
For me photography is the capturing of a genuine moment in time and not the creation of a set-up, now that’s not to say that I haven’t put a camera on timed and attempted to capture me going in full flight but if I do it’s for my own amusement or the amusement of Instagram and the running was still genuine. If anyone had ever seen the tail end or start of my running videos then it’s usually me dropping camera on the floor followed by dipping down to collect it as I run past again. Basically what I’m saying is I’m more likely to disengage with something I consider contrived and overthought than something genuine (a word to the wise for the big brands methinks).
Therefore I’ve looked at the things I do based on 20 years of professional creative experience and also my experience using a variety of cameras in ‘action’ scenarios to create a series of tips as to how you might try taking action (but in particular) running footage.
Angles. The simplest trick you can add to any photograph (running or otherwise) is to change the angle you are shooting from. Shooting at face height has a tendency to all look the same – so use your camera to shoot from the sides, below and above.
Tip: Gorilla grips let me quickly hang my camera from above or to attach to difficult to reach places or to act as a tripod, they are relatively inexpensive and incredibly useful for finding more exciting angles.
Motion. A photograph should have a focus and in running photography that focus is usually the runner but that leaves the rest of the shot to convey that you are moving. Landscapes behind that are slightly softer in focus or in some cases dramatically softer in focus can help better capture your experience.
Locations. If you want to you can take your running photos in dog turd alley but will it give you the kind of photograph you wish to share or keep? Always look up and around and when you see a location that will enhance your photograph then capture it.
If you’re taking photographs with social media in mind then maybe consider you want to highlight new and exciting things – I found that seeking out new things even on my shorter RunCommutes helped keep things interesting both in exercise and photography terms.
Tip. If like me you are London based then photographs of me running past Big Ben aren’t as interesting and nuanced as discovering a new sculpture down a hidden street or finding another of those little blue plaques that London is filled with. New locations, new directions, new trails, new backdrops – keep it exciting, keep it fresh.
Stability. How far do you want to go in your investment in order to produce incredible steady footage? A gimbal is an expensive item generally and it’s going to be a personal preference as to whether you like them or not. I’m not really a fan and believe you’re better grabbing more realistic footage that shows the movement of the subject.
Tip: a reasonably steady hand and a willingness to experiment are the key requirements here. In my opinion a series of short bursts of photographs or video will mean you end up with a more compelling and action led visual story than if you shoot dozens of minutes of gimbal stabilised footage.
Safety. Photography while running can be a bit like using your mobile phone while driving – it is a distraction. On more than one occasion I’ve seen runners on the Southbank taking selfies running into people and I myself nearly brought the Skye Trail Ultra to a swift conclusion when attempting to get my GoPro out I took a nasty tumble down the ridge – breaking my selfie stick and slicing my leg open in the process
Basically take photographs when it is safe to do so or as a memory from my childhood pops into my head, ‘Stop, Look, Listen’.
Enlist help. Having someone to press the button as you’re flying by is perhaps the best way of capturing running photographs. When the GingaNinja attends races she becomes my unofficial race photographer and has learned to dip down at the race line, to capture me when I’m in full stride and to grab surrounding/background shots for blog posts. One could argue that’s the sign of true love.
Tip: Run with your dog? Strap a harness on them, cool angles and madness ensue!
Don’t worry. So you’ve just done 10 good miles, weather was great, conditions were lovely and muddy and the route was fantastic – but you didn’t take any photography because you were in the moment. That’s no problem – there will be other occasions.
Tip: If you feel like it you can always add an extra few hundred metres of sprints, hills, mud, whatever to give more consideration to camera position and how you wish the running to be portrayed.
Tip: If running selfies/running photos are your thing then don’t be intimidated by people around you. Whip your camera out, point and click happy!
The right camera. There’s not much point using your GoPro for finish line photography – that isn’t what it’s designed for, nor would it be really appropriate to whip out your DSLR at the 75 mile point of a hundred miler.
Small compact cameras are awesome for taking with you as they’re thin, lightweight and have good battery life. However, if you have a modern smartphone that’s going to cover most needs.
However, smartphone photography come with the cost to your battery, the potential for damage by dropping it and how effective your waterproofing is. Running saw the destruction of no less than three iPhone 5s because of moisture (both rain and sweat) I’m hoping that iPhone 8 will be a little more resilient.
Timers v Video Snapshot v Bluetooth button. Modern telephones and action cameras have a variety of useful aids to help you capture specific moments.
iPhone for example has a 3 and 10 second timer which will capture 10 shots of you across a short period of time – this is excellent once you’ve learnt to filter out the rubbish photographs this generates. However, if you’re moving like poo off a shovel it will struggle to focus.
The shutter speed of the iPhone (your mobile phone shutter speed will vary) is often not quick enough to capture a well focused and crisp image in anything other than perfectly lit conditions and then there is the setup. The possible solution is a discreet Bluetooth camera button (available for most phones for about £15) – this has the capacity to help you activate your camera without the need to use the timer and therefore have a greater degree of control.
Ultimately it’s all a hit and miss process but practice makes perfect.
I find the action camera setup is generally much quicker – drop harness/grip/stick in position, click camera to film and then spin back to enter frame as you’d envisioned, grab image in post production later and if you are shooting on a 4k (or even lower HD) action camera then the output should give you something to work with for most of the formats you’ll be using the images in.
Tip: If it’s raining when you’re shooting then wipe your camera lens down to avoid water droplets on your shots
Lighting. This can be challenging as you’re on the go and you have to work with what’s in front of you. But consider things like the position of the sun as you’re grabbing a selfie, it’s annoying if you’ve got the face right, the action right and the background looking cool if you then shoot into direct sunlight and burn everything out or shoot in such dark shadow that nothing shows up.
Tip: Alter the times if day you ‘photorun’ to use the differing light levels, this can make even your ‘go to’ route seem quite different.
At night running photography becomes even more challenging – the flash will ruin most photographs but you run the risk of out of focus images if you do it without.
The key to night time photography is being selective and taking your time. By this I mean consider natural light sources, road lighting, headtorch light and the general pace of the action, you can shoot everything and anything if you like but you’ll simply end up with full memory cards and lots of unusable images.
Tip: Dress for photography, black on black is fine but adding a splash of colour will make you easier to spot – especially in low light conditions
My recent trip to the SainteLyon was filled with decent night time race photography (blog suitable at least) because I was conscious of the conditions and was patient, waiting for the right points to grab the shots I wanted.
Post production. This makes it sound like a Hollywood movie rather than a action photograph but having some photo editing software to lighten or balance images just makes things that little bit tidier. For the social media vampires amongst us the various social platforms all integrate reasonably good editing tools. You don’t need Photoshop to ensure great storytelling
Tip: GoPro edit software is really rather good and easy for grabbing snapshots and cutting up your videos into snapshots of your experiences. Other software is readily available – I’m perhaps luckier in that I have Premiere installed on my phone which makes quick work of any video I want to quickly edit together but there’s thousands of great little apps whatever your editing platform.
Tip: Find of way of comfortably carrying your camera kit that allows for easy access but also keeps out of the way. I use Ronhill trail leggings that have two flush to the body stretch pockets on each leg that I put my GoPro in or one of the front pockets of any of my race vests.
Tip: A small charger – carry one! If it’s race day, (especially when you’re going to be out a long time) and you’re carrying a GoPro and your phone you may require a little bit of juice to keep your phone going. I can be bigger for tweeting, photographing and videoing events and I find I burn through my battery pretty swiftly – fine on a 10km but not so cool on a mountain ultra when you may need your phone for location or emergency services. A small charger is about the size of a lipstick and will certainly keep your phone going if you’ve been a little too ‘snap happy’.
In a nutshell
- Honest photographs – don’t go all fake news
- Use the right camera for the job
- Don’t worry if your shots don’t come out
- Shoot lots, delete the rubbish
- Get help for race days
- Photograph responsibly – be safe
- Most importantly, try new things, experiment, have fun
and in answer to the question in the title, yes I probably am secretly running selfie obsessed – I’ve been accused (via Twitter users) of not taking my racing and running seriously enough, more interested in taking pictures than the event I’m doing. All I can say to that is, ‘caught red handed!’ 😁