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DJI Osmo Action Camera product review from a runners perspective

I loved my GoPro Session, I still love my my GoPro Session, the tiny size combined a waterproof body and with really, rather good quality video meant it was the perfect companion to join me on races and document my journey. However, that was 2016, a lifetime ago in technology terms but I’m never that keen on upgrading for the sake of upgrading. I change my kit usually when the old stuff is coming to the end of its useful life.

But the GoPro still works perfectly. A quandary for me to ponder.

The Session though was starting to not do what I wanted and what I wanted was greater, faster, higher quality control. So I started looking at options but the reality is you are left with just a couple of genuine contenders as a replacement. The first is the GoPro Hero 8 (now the Hero 9 too) or the DJI Osmo Action, I opted for the DJI Osmo Actino.

I’m not going to be reviewing this from a technical perspective because there are already dozens of those kind of blogs and vlogs that you can look up. Instead I will be reviewing this from the perspective of an ultra runner/adventurer who uses the Osmo Action to tell my running stories.

DJI Osmo Action Camera product review from a runners perspective

Form
So for those of you familiar with the GoPro Hero then you’ll be fairly familiar with the DJI Osmo Action. It’s about the same size as the GoPro and about the same weight. Anybody you meet will likely think you’re carrying a GoPro. Compared to my old Session it’s bigger and heavier but in its favour it’s not as wide so when I’m running it sits closer to my body and when teamed with a selfie stick or similar then you can arch the camera firm against your shoulder and you barely know it’s there.

Stability
Image stability was a big issue with the Session, when running it would perform poorly in lower light conditions and even in good light conditions there were no guarantees that you’d be able to pull good photographic stills from video footage. (The photo mode simply isn’t fast enough for shooting running pictures). The Osmo deals with this via its image stabilisation process called ‘rocksteady’. But also in general the photographic technology has moved forward significantly and the DJI is superior than the camera it is replacing.

Rocksteady is awesome. It’s the perfect balance between getting footage that looks high energy and getting footage that is usable. I’m not a fan of gimbals as they make everything look so boring and static and therefore the camera needs to offer a decent level of image stabilisation. Remember that running is as much about moving up and down as it is about propelling yourself forward and the Osmo captures this without leaving you with blurry footage.

ULtraboyruns on his Dagger Katana kayak at Lochore Meadows in Scotland

In the edit the footage that you are achieving is good for both stills and also for video. It means that whether you are taking 12mp photographs with your Osmo or you are grabbing HD stills from the video footage the output is remarkably good. It should be noted that I often only shoot at 1080p/30fps/Rocksteady because the footage I’m shooting is for things like YouTube & Instagram and therefore 4k video seems overkill.

Image stabilisation is available though in 4k/60fps which should pretty much cover most social video needs and beyond. Certainly if, like me, you’re buying this to record runs and races with then you’ll be more concerned about space on your Micro SD card than you will about super high density footage.

DJI Osmo Action Camera product review from a runners perspective

Flexibility
The flexibility of the Osmo was the reason that it won out over the GoPro (Hero 8) for me with the big thing being the front facing screen which allows for easier set up of shots, especially those that are on the move. I was also impressed that it was super easy to switch between the two screens. This means that if I’m filming during an event I’m spending less and less time faffing about trying to get the perfect image for the blog post.

Front screen is impressive at 1.4 inches, just large enough to be usable and viewable and the 2.25inches of screen space you get on the rear is genuinely excellent with a ‘just sensitive’ enough touchscreen.

DJI Osmo Action Camera product review from a runners perspective

However, it isn’t just the dual screen that I find very useful there are a number of other features that make transitioning between running with a camera and putting it away much easier. The voice commands (which are a new feature to me) are super easy to use and even with my lovely Liverpudlian tones it picks up my commands very easily, that said it’s not so happy listening to my little Scottish 6 year old ordering it to ‘take photo’.

The various options for settings are expected but I’m often shooting at the widest possible angle because I’ll be looking to capture landscapes as well as the running and I’m grateful for auto orientation of the screen and therefore for the shooting because this often saves time later in the edit of footage. The Osmo simply gets that I’m not Martin Scorsese and wants to try and help me out.

Waterproof:
The waterproof nature of the camera without the need for extra casing was a must, one of the reasons I avoided earlier action cameras was the need for a separate waterproof case which I felt made everything much too bulky and carrying that either mounted to yourself or in one of the valuable pockets of your race vest wasn’t practical over 50 or 100 miles.

I was dubious whether with the removable battery section and various moving parts of the Osmo whether it would truly be waterproof, however, I am very happy to report that the camera is waterproof. I’ve had the Osmo since about August and I’ve out it through some seriously watery adventures, often muddy ones, filthy canals, mudflats and often in icy lochs – never once has the Osmo given me a moments trouble.

DJI claim the camera is waterproof to 11 metres and -10 degrees, I’ve probably only had it down as far as say 3 metres but in freezing water and if I get down to 11 metres I’m probably drowning.

It has been the definition of an ‘action-ready’ camera whatever the situation it has found itself in.

DJI Osmo Action Camera product review from a runners perspective - showing the osmo battery

Battery:
One area of flexibility that has really impressed me was the ‘action pack’ I purchased as it came with three batteries (cases for each of them) and a few additional goodies.

Those (lightweight) extra battery packs mean that I can keep shooting footage through the whole of an event rather than say having to be concerned about how long my battery will last. It makes good sense that they would throw a couple of batteries into the pack because the battery does not last as long as the GoPro Session (Session has no screens) and you do want to ensure that you get your start line and finish line picture and everything in between. DJI claim that a battery can last over 2hrs and while this probably isn’t far short of the mark the chances are you going to to use the camera in a non-optimal way and therefore reduce its efficiency.

It is also worth noting that the battery change is relatively easy, although when fingers are cold or exhausted it could become a little bit fiddly but then I feel that trying to do anything with fine motor skills after 18hrs on the trail is a proper head fuck anyway.

Lens:
Finally on the question of flexibility we have the removable and replaceable lens cover (with the option to add practical filters too). This means that should you damage the lens cover you can still have a fully functioning action camera, this was certainly a big bonus over the GoPro Hero 8 (the Hero 9 now has a replaceable lens cover). If like me you are prone to adventures that come with higher than average risk then having the option to replace the lens is important

DJI Osmo Action Camera product review from a runners perspective - showing the lens cover

Quality
I was impressed by the Osmo, but that said it is a relatively expensive piece of kit and I would expect it to be made of materials that are both robust and feel nice. Running your finger over the buttons they have a lovely chunky feeling and the rounded edges feel like they’ll bounce back nicely from a fall or three. Perhaps thats exactly what you want from your action camera, the ability to throw it about and that when it lands it looks as good as the moment you took it out of the box.

Ease
There are three parts to ease of use as a runner, the first is deployment of the camera for taking pictures – so form, the second is ease of use of the camera functions and thirdly the ease of se of the software.

Form, fit and ease of access
The form I have mentioned, yes it is wider than the Session it is replacing but it is also less deep and because it is waterproof and needs no separate casing it sits comfortably next to the body. I have used this in several of the my race vests front pockets (including my Harrier Kinder, Raidlight Olmo 20 and Ultimate Direction Signature Series PB3) and each of them it has sat in such a way that I had no problem running.

Getting the camera out and putting it back in to my race vest is much easier than I ever imagined and actually is no more hassle than the Session ever was. There are obviously other ways of wearing this as a runner such as in a chest mounted harness of even a head mounted harness. What I will say is that the head mounted harness is hard work, its like having an uncomfortable head torch on and the chest mounting means that you can’t really use it with a race vest or bag (well I can’t), plus both the head and chest then have severe limitations to the angles and type of footage that can be achieved.

DJI Osmo Action Camera product review from a runners perspective - selfie sticks

A shitty self stick or an expensive gimbal?
Much of the fit also goes to the kind of selfie stick that you use with your action camera and I always team it with something nasty and cheap. Why? There are a number of reasons why I refuse to invest in a gimbal but the first is that the kind of adventures I go on often finds me facing giant turd sized perils. Those perils are the thing that make for the most exciting footage, the cost of this is that the selfie sticks often get broken, snapping is not unusual and they certainly don’t last given the beatings they take in all weathers. Gimbals tend to very expensive and therefore breaking them can become an expensive habit that gets costly quickly.

Gimbals also tend to be bulkier than the selfie stick, (though there are some very compact options in gimbals) and these can be something of a nuisance to carry during a race. One of the things I want is to be able to pull my camera out at a moments notice and if the gimbal or selfie stick is too big then getting it in and out can be complicated. Having a lightweight, compact selfie stick gives me the best balance of flexibility in terms of storage and also accessibility.

The final and perhaps most consistent reason that I choose the cheap selfie stick over the gimbal is because I feel that the gimbal creates really dull footage for runners. Now in some sports such as say skiing or water sports then having the gimbal to remove the worst excesses of bounce would be useful. However, in running terms you actually want some bounce, you want movement because that is the natural way of running – when running is done via a gimbal or drone from a POV then it removes all its energy. With good image stabilisation then I see no reason to use a gimbal at all.

Ultraboyruns running along his local trails

And action…
I’d been running for about 7 hours in the rain, my hands were 100% fucked and my body felt like a sponge it had soaked up so much water but I really wanted footage of me crossing the Tyne during Ultra North. I yanked out my Osmo, switched it on with the big fat square button on the top and then squeezed the equally big fat red dotted circle to record. A second later the little red light was flashing on the front to indicate recording. Once I had finished recording I pressed the circular button again and the the recording stopped and a minute later the screen auto shut down because it knew I had simply forgotten to power it down.

My head was pretty mashed in the later stages of the race and often is and I have been known to only shoot footage from the first half of an event because of it. However, during the maiden race for the Osmo I was happily able to use it from start to finish and this was down very much to the ease of the software and button setup of the camera.

It is true that I’d prepared my settings 1080p / 30fps / video but beyond that it was then simply a matter of pressing two buttons and to be fair the powering up step can be missed out if you’d rather just hit the circle button – it will then just record footage. I don’t mess with the touchscreen when I’m running because I figure this is a way to mess things up but changing recoding resolution, aspect ratio or frames per second on the move is easy enough to do should you really wish.

The footage stores itself sequentially on your SD card(s) and so this makes it easier to recall running or eventing for when I might be editing several days, weeks or months later. Its a damn fine user experience and this is extended, thankfully, to the software that comes with it for your smartphone.

And edit…
I wanted a better camera to device experience than the GoPro Session when I upgraded. I mean the Session was mostly fine but a little bit cumbersome and the desktop editing software was a massive bag of wank, so DJI didn’t have much to improve upon. DJI MiMo (My Moment) is the software they offer and it is a huge leap forward in the way to handle and edit video. As a graphic designer I am used to using Adobe Premiere and After Effects for video work but this running footage needed to be editable in a quick fun way, not have all my time and effort devoted to crafting Hollywood style blockbusters. Therefore DJI MiMo from my iPhone offered quick connectivity to the camera, easy downloads and then a full suite of excellent editing tools to craft very social video files that have been doing the rounds of some of the Facebook groups and my IGTV feed in recent weeks.

MiMo is also the beneficiary of regular updates which makes the software more stable and more usable, and on the subject of software updates, the camera itself is the recipient of semi regular updates too and all of this takes place in the background ensuring that your camera is ready for adventuring when you are.

If you follow me at my blog here ultraboyruns.com or on my new Facebook page there are a variety of videos that I have been creating and I usually split the editing between iMovie and MiMo, not because one is better than the other but because they offer slightly different tonal outputs. MiMo is the superior of the software though and is incredibly easy to use.

I suppose there is the question of, ‘would i find it easy to use if I didn’t have a background in creative?’ Well the answer to that is I believe that while I perhaps have a small advantage in the edit process that this is something that anybody who knows how to use a smartphone would be able to do. DJI have made action video creation a real option for those who want it, though you might just be somebody that wants to take pictures with your action camera and that is fine too. If you are likely to be using your Osmo for shooting video and then grabbing stills from it there is no way (as far as I can tell) to grab a still within the MiMo environment, for grabbing video footage stills I tend to use Framegrabber which is an app available for both iOS and Android.

Footage & output
Output is created in either .mov or .mp4 format. The footage is of a generally very high quality and can be captured at 4k/60fps with an excellent in-built microphone, though this can be upgraded by adding an external microphone. For the purposes of running I find the supplied mic more than sufficient and the lower end of the video spectrum will cover most needs. When casting 1080p footage I have edited to a 4k 55inch Samsung television the output has been very good – not quite movie quality but more than sufficent for showing to your nearest and dearest as they fall asleep watching your running movies.

Why?
The question of why I bother shooting my running and editing the footage together for social media has come up more than once. The reason I take the action camera with me and share so much running related video content is because it combines to two things I enjoy most – creativity and running. I really don’t give two flying fucks if you watch it, don’t watch it, love it or hate it – I make this stuff for myself. However, if one person is inspired to get their running shoes on or go and get muddy on a trail somewhere then that is a bonus.

Conclusions
I can’t judge whether the Osmo Action is better than the latest version of the GoPro Hero because I haven’t extensively tested the GoPro but I have extensively tested the DJI and I can tell you that the Osmo Action is an amazing action camera.

The combination of quality, ease of use, output and importantly price point make this a very real option for purchase. I paid less than £250 for the camera, three batteries, charger, cage and a pair of mounts (the app is a free download). To put this in perspective I paid nearly £200 for my GoPro Session which offered no additional power sources (sealed unit meant you couldn’t change the battery) but a couple of mounts and that was 5 years ago.

DJI Osmo Action Camera product review from a runners perspective -action pack and selfie sticks

I love the ease of use of Osmo and have both increased and improved my adventure video and photographic output. If you are interested in action cameras and shooting your adventures then this is very much worth considering.

I’ve used my Osmo Action for all sorts of activity and although running is the primary thing that I capture footage of I have also regularly used it for open water swimming, mountain biking, sledging, paddle boarding, kayaking, fast hiking, roller skating, hill walking and even motor homing, the options are limitless. The question is in camera terms is how far will you go in search of adventure and do you want to record it?

Perhaps the key features that determined which action camera I was going to buy were the dual screens and the replaceable lens cover (both now available on the Hero 9, a product that wasn’t available when I bought the DJI and remains significantly more expensive than the Osmo Action). When you’re researching which one to buy you’ll see that the difference in footage quality, colour saturation, image stabilisation, warping, image correction, microphone, etc is nominal and so it really comes down to personal preference but it was the Osmo that made me part with my money.

Further information is available at the DJI website

There have been a number of excellent blog posts this year about running and photography. I think my favourite was the ‘Mind Over Matter’ blog (read the original post here) about the subject and it got me thinking about the way I photograph and are there any tips I can impart that may help you to tell more compelling visual stories?

The Mind Over Matter piece suggests that blogging is big business and that photography has (in some cases) gone ‘business’ too with professional photography being bought in to create that more refined look. However, the post continues by arguing that this all looks very ‘samey’ and I couldn’t agree more.

For me photography is the capturing of a genuine moment in time and not the creation of a set-up, now that’s not to say that I haven’t put a camera on timed and attempted to capture me going in full flight but if I do it’s for my own amusement or the amusement of Instagram and the running was still genuine. If anyone had ever seen the tail end or start of my running videos then it’s usually me dropping camera on the floor followed by dipping down to collect it as I run past again. Basically what I’m saying is I’m more likely to disengage with something I consider contrived and overthought than something genuine (a word to the wise for the big brands methinks).

Therefore I’ve looked at the things I do based on 20 years of professional creative experience and also my experience using a variety of cameras in ‘action’ scenarios to create a series of tips as to how you might try taking action (but in particular) running footage.

Angles. The simplest trick you can add to any photograph (running or otherwise) is to change the angle you are shooting from. Shooting at face height has a tendency to all look the same – so use your camera to shoot from the sides, below and above.

Tip: Gorilla grips let me quickly hang my camera from above or to attach to difficult to reach places or to act as a tripod, they are relatively inexpensive and incredibly useful for finding more exciting angles.

Motion. A photograph should have a focus and in running photography that focus is usually the runner but that leaves the rest of the shot to convey that you are moving. Landscapes behind that are slightly softer in focus or in some cases dramatically softer in focus can help better capture your experience.

Locations. If you want to you can take your running photos in dog turd alley but will it give you the kind of photograph you wish to share or keep? Always look up and around and when you see a location that will enhance your photograph then capture it.

If you’re taking photographs with social media in mind then maybe consider you want to highlight new and exciting things – I found that seeking out new things even on my shorter RunCommutes helped keep things interesting both in exercise and photography terms.

Tip. If like me you are London based then photographs of me running past Big Ben aren’t as interesting and nuanced as discovering a new sculpture down a hidden street or finding another of those little blue plaques that London is filled with. New locations, new directions, new trails, new backdrops – keep it exciting, keep it fresh.

Stability. How far do you want to go in your investment in order to produce incredible steady footage? A gimbal is an expensive item generally and it’s going to be a personal preference as to whether you like them or not. I’m not really a fan and believe you’re better grabbing more realistic footage that shows the movement of the subject.

Tip: a reasonably steady hand and a willingness to experiment are the key requirements here. In my opinion a series of short bursts of photographs or video will mean you end up with a more compelling and action led visual story than if you shoot dozens of minutes of gimbal stabilised footage.

Safety. Photography while running can be a bit like using your mobile phone while driving – it is a distraction. On more than one occasion I’ve seen runners on the Southbank taking selfies running into people and I myself nearly brought the Skye Trail Ultra to a swift conclusion when attempting to get my GoPro out I took a nasty tumble down the ridge – breaking my selfie stick and slicing my leg open in the process

Basically take photographs when it is safe to do so or as a memory from my childhood pops into my head, ‘Stop, Look, Listen’.

Enlist help. Having someone to press the button as you’re flying by is perhaps the best way of capturing running photographs. When the GingaNinja attends races she becomes my unofficial race photographer and has learned to dip down at the race line, to capture me when I’m in full stride and to grab surrounding/background shots for blog posts. One could argue that’s the sign of true love.

Tip: Run with your dog? Strap a harness on them, cool angles and madness ensue!

Don’t worry. So you’ve just done 10 good miles, weather was great, conditions were lovely and muddy and the route was fantastic – but you didn’t take any photography because you were in the moment. That’s no problem – there will be other occasions.

Tip: If you feel like it you can always add an extra few hundred metres of sprints, hills, mud, whatever to give more consideration to camera position and how you wish the running to be portrayed.

Tip: If running selfies/running photos are your thing then don’t be intimidated by people around you. Whip your camera out, point and click happy!

The right camera. There’s not much point using your GoPro for finish line photography – that isn’t what it’s designed for, nor would it be really appropriate to whip out your DSLR at the 75 mile point of a hundred miler.

Small compact cameras are awesome for taking with you as they’re thin, lightweight and have good battery life. However, if you have a modern smartphone that’s going to cover most needs.

However, smartphone photography come with the cost to your battery, the potential for damage by dropping it and how effective your waterproofing is. Running saw the destruction of no less than three iPhone 5s because of moisture (both rain and sweat) I’m hoping that iPhone 8 will be a little more resilient.

Timers v Video Snapshot v Bluetooth button. Modern telephones and action cameras have a variety of useful aids to help you capture specific moments.

iPhone for example has a 3 and 10 second timer which will capture 10 shots of you across a short period of time – this is excellent once you’ve learnt to filter out the rubbish photographs this generates. However, if you’re moving like poo off a shovel it will struggle to focus.

The shutter speed of the iPhone (your mobile phone shutter speed will vary) is often not quick enough to capture a well focused and crisp image in anything other than perfectly lit conditions and then there is the setup. The possible solution is a discreet Bluetooth camera button (available for most phones for about £15) – this has the capacity to help you activate your camera without the need to use the timer and therefore have a greater degree of control.

Ultimately it’s all a hit and miss process but practice makes perfect.

I find the action camera setup is generally much quicker – drop harness/grip/stick in position, click camera to film and then spin back to enter frame as you’d envisioned, grab image in post production later and if you are shooting on a 4k (or even lower HD) action camera then the output should give you something to work with for most of the formats you’ll be using the images in.

Tip: If it’s raining when you’re shooting then wipe your camera lens down to avoid water droplets on your shots

Lighting. This can be challenging as you’re on the go and you have to work with what’s in front of you. But consider things like the position of the sun as you’re grabbing a selfie, it’s annoying if you’ve got the face right, the action right and the background looking cool if you then shoot into direct sunlight and burn everything out or shoot in such dark shadow that nothing shows up.

Tip: Alter the times if day you ‘photorun’ to use the differing light levels, this can make even your ‘go to’ route seem quite different.

At night running photography becomes even more challenging – the flash will ruin most photographs but you run the risk of out of focus images if you do it without.

The key to night time photography is being selective and taking your time. By this I mean consider natural light sources, road lighting, headtorch light and the general pace of the action, you can shoot everything and anything if you like but you’ll simply end up with full memory cards and lots of unusable images.

Tip: Dress for photography, black on black is fine but adding a splash of colour will make you easier to spot – especially in low light conditions

My recent trip to the SainteLyon was filled with decent night time race photography (blog suitable at least) because I was conscious of the conditions and was patient, waiting for the right points to grab the shots I wanted.

Post production. This makes it sound like a Hollywood movie rather than a action photograph but having some photo editing software to lighten or balance images just makes things that little bit tidier. For the social media vampires amongst us the various social platforms all integrate reasonably good editing tools. You don’t need Photoshop to ensure great storytelling

Tip: GoPro edit software is really rather good and easy for grabbing snapshots and cutting up your videos into snapshots of your experiences. Other software is readily available – I’m perhaps luckier in that I have Premiere installed on my phone which makes quick work of any video I want to quickly edit together but there’s thousands of great little apps whatever your editing platform.

Anything else?

Tip: Find of way of comfortably carrying your camera kit that allows for easy access but also keeps out of the way. I use Ronhill trail leggings that have two flush to the body stretch pockets on each leg that I put my GoPro in or one of the front pockets of any of my race vests.

Tip: A small charger – carry one! If it’s race day, (especially when you’re going to be out a long time) and you’re carrying a GoPro and your phone you may require a little bit of juice to keep your phone going. I can be bigger for tweeting, photographing and videoing events and I find I burn through my battery pretty swiftly – fine on a 10km but not so cool on a mountain ultra when you may need your phone for location or emergency services. A small charger is about the size of a lipstick and will certainly keep your phone going if you’ve been a little too ‘snap happy’.

In a nutshell

  • Honest photographs – don’t go all fake news
  • Use the right camera for the job
  • Don’t worry if your shots don’t come out
  • Shoot lots, delete the rubbish
  • Get help for race days
  • Photograph responsibly – be safe
  • Most importantly, try new things, experiment, have fun

and in answer to the question in the title, yes I probably am secretly running selfie obsessed – I’ve been accused (via Twitter users) of not taking my racing and running seriously enough, more interested in taking pictures than the event I’m doing. All I can say to that is, ‘caught red handed!’ 😁

You know Ming’s law Barin, outside his own Kingdom the hunter becomes the hunted.
I went to the Isle of Skye for two reasons really, the first I’ve discussed in my review of the Skye Trail Ultra which you can read here the second is perhaps the more important – Flash Gordon.

I swear by the great God Arbour I’ll not kill you unless you beg me too.
After I returned to my accommodation post Skye Trail Ultra I crawled up the stairs and went to sleep, disturbed only by one of the staff who thought the room would be empty and wanted to change the sheets, what she discovered was the remains of an ultra runner.

Sorry Munson you had your chance.
Anyway around 2pm after a few hours rest I started the process of cleaning myself up and preparing for my next adventure. I was going to head to the airfield on the Isle of Skye where the 1980 classic cult film Flash Gordon was part filmed.

Oh Flash!
My feet were sore but I had pierced most of the blisters, sealed them up, put thin socks over them and was wearing my most supportive Hoka (as all my Altra needed drying out). I packed a bag with GoPro and some lucozade and unfurled my cheat sticks which were the only thing that was going to make this 4.5 mile journey to the airfield possible.

This Ming’s a psycho
I moved gingerly through Broadford, taking in things I hadn’t seen before and admiring the bay, which on a bright late afternoon in May was delightful. I hadn’t realised how hilly the route would be but thankfully with my poles I was able to offset the pain in my feet. I’ll be honest I stopped a few times but this was more to check I was on the right route rather than for rest. I took the road via Lower Breckish which meant I came off the main road and could continue to admire the lovely scenery of Skye and about an hour or so after setting out from Broadford in the distance I could see the end of a runway.

If I had my time over, maybe I’d do it differently but I can’t help a man who’s dead!
Bugger, I was at the wrong end of it. Hmm. I decided that fortune had favoured the foolish or perhaps the adventurous and so dropped down closer to the coast, passing a small cemetery and parking for those wanting to get onto the beach. I now left the road to crash through the undergrowth once more. There was a stream that also needed crossing and so I carefully wound up my poles and leaped across the stones, much as I had during the race and clambered up the embankment. Here I was greeted by the barbed wire fencing and while I’m not normally noted for trespassing I vaulted over the fencing, Prince Barin style onto the airfield.

Forget it Ming, Dales with me!
The next half hour was spent shooting video calling out ‘Gordon’s Alive!!’ and ‘Flash, Flash, I love you but we’ve only got 14 hours to save the Earth’, many pictures were taken (see examples) and I felt a deep sense of satisfaction that is completed the two things I came to Skye for.

Flash Gordon to Vultan … Flying blind on a hawk man rocket cycle!
I may not be Flash Gordon, I’m not even a Zarkov or Bero but this visit let me connect to one of my favourite films of all time. Thank you Skye and thank you to the cast and crew of Flash Gordon.

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